![]() ![]() Yay! Thanks to Henry for figuring out what caused this and rewriting the code to get rid of the problem! This turned out to have to do with voice allocation, and has been fixed in the v7 update. Now for the bug: until now there was an issue which would appear from time to time when using algorithm 3 (mono), where the output would simply stop when a patch change was made. This is especially nice for use-cases where you just want to plug it in and have a specific sound, when using for example a MIDI keyboard having no knobs as all. 2: For even more convenience regarding patch changing, you can now select any of the synth's 128 patches as the startup default patch (auto-selected) so you don't have to manually select that patch when you plug in the synth. ![]() 1: Those of you who own MIDI controllers that do not support patch change messages (there are more of these than one might imagine) will be happy to know we've added a new CC 119, so you can now change patches using a CC! This update includes an important bug fix and two new features which have been requested by synth owners. Share, Tune, and Play : The Waverazor interface offers a unique approach to sound design with a center scope that provides accurate waveform shaping. Two X / Y controllers modulate a combination of Wave Divide parameters, while additional knobs and buttons allow multiple parameters to be displayed at once.I'm pleased to announce FLASH firmware v7, brought to us by our new firmware developer, Henry Lowengard. Multi-Sync parameter: Since each wave cycle is divided into concatenated fractions and the phase reset is controlled on each segment, multiple simultaneous hard sync points can be set per cycle. When Multi-Sync is on, modulating individual waveforms at different frequencies creates a sophisticated new harmonically rich version of classic synthesis. Mutated Amplitude and Ring Modulation on Steroids : Each wave segment can have a different harmonic content, with the individual harmonics being amplitude modulated at a rate and level determined by the content of each fraction. Rather than simply modulating the entire waveform as with traditional ring modulation, the oscillator modulates harmonics at different levels in sequential patterns. A new aspect of synthesis: The patented Waverazor oscillator technology separates familiar waveforms and recombines them to create futuristic sounds. Start with a fundamental multi-waveform waveform, then change the sound beyond recognition by tweaking an array of parameters including tuning, level, phase, and amplitude offset per segment. ![]() Editor Menu : The Waverazor 2.0 Editor version is here, with an innovative new contextual editing system that easily manipulates the power of a thousand parameters, displaying only what you need, when you need it. Focus on any synthesis module for editing, and everything associated with it will automatically be shown. This allows you to quickly navigate the entire synthesizer and create connections that bring the unique Waverazor sounds to life. What’s new in version 2.0.3: Waverazor now has 50 patches from sound engineer extraordinaire Richard Devine. Known for his innovative, ambitious audio tweak on Google’s DayDream VR platform, as well as his developed voice on the I-PACE electric car, Waverazor has taken this bank along with bold new directions. Futuristic virtual synthesizer : Experience every sound parameter with a central oscilloscope for accurate waveform creation. Lots of morph options use an array of controllers at once. The set of included presets will take you on endless sonic explorations. Year / Date of Release : 09.2021 Version : 2.6.0 Developer : Media Overkill Developer site : MOK Format : STANDALONE, VSTi, VSTi3, AAX * (* PT from AudioUTOPIA), AUi Bit depth : 32bit, 64bit Tablet : present | R2R System requirements : Windows 7, 8, 10 | macOS 10.8 or Later 32-bit and 64-bit Intel Core 2 Duo 2GHz Processor 2GB RAM (4GB Recommended) Description: Open up the dark side with Waverazor, a futuristic synthesizer that lets you combine waves into aggressive new sounds. The patented oscillator design uses a new form of synthesis to produce biting leads, killer bass, kinematic pads and more. ![]()
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